“Free software is a possibility that those kids will reinvent things that need to be reinvented.”
Lula da Silva – Speech at 10.FISL, POA, Jun/2009

Digital culture is a new, emergent term. It has been used in different forms by different sectors, and incorporates different perspectives about the impact of digital technology and networking in society. The Ministry of Culture see, as it’s role, the convening of a collective reflection on these broader perspectives, encouraging the participation of all stakeholders in an innovative process of collaborative construction of public policies for the digital sector.

The cheapening of the personal computer and cellular phone, combined with the rapid development of applications using free software and free services on the network, has promoted a radical democratization of access to new means of production and access to knowledge. The digitization of culture, combined with the global race to connect everything to everyone all the time, turns open networks at this moment in history into something too big, which now requires specific consideration.

A recent debate in the blogosphere about an article in Wired Magazine – “The New Socialism,” by Kevin Kelly – raised the issue of lack of appropriate terms to communicate the ongoing phenomena within the networks. Re-framing the term ’socialism’ to refer to the innovative arrangements for sharing and collaboration typical of a collective connected by the Internet has generated controversy and has been challenged strongly by Lawrence Lessig, the American lawyer known for his activism in the debate over the revision of copyright laws.

Lessig argues that we are facing something entirely new, and that it is not appropriate to reuse terms loaded with former meanings to describe the current situation. His concern seems to be related to the typical American notion that establishes an inverse relationship between individual autonomy and state power — a notion that is also the essence of th classic contest between right and left. However, as Kelly argues, the so called ‘digital socialism’ (’stateless socialism’?!) seems to host both classical libertarians who hate government in general, and the global political movements that are critical of excessive market logic.

Finally, there is a real lack of conceptual characterization for the phenomena encountered in digital culture. Yochai Benkler, reflecting creatively about the possibility of a political theory of the network, sees the emergence of social networks and peer production of an alternative to both the proprietary systems fundamental to the logic of the state and to the market. An innovative new cultural ‘operating system’ would be able to foster both creativity, productivity and freedom, while also satisfying the demands of both individuals and collectives. Benkler speaks of a ‘participatory culture’.

With the arrival of ubiquitous, instant and inexpensive collaboration tools, it is possible to promote opportunities for debate and a collective model where public decentralized coordination can create innovative solutions to the issues presented by the 21st century. The implementation of this technology in the digital network environment, coupled with the concept of ‘participatory culture’ of Benkler, creates the possibility of bridging policies that once seemed mutually exclusive, inviting open discussion by opposing interest groups that have specialized in fighting in the trenches.

The Forum for Brazilian Digital Culture

In order to better understand the various parts that make up the mosaic of digital culture, to facilitate the public participation of those concerned with monitoring, and to assist the construction of public policies and regulatory frameworks that will format the sector, the Ministry of Culture is launching the Forum for Brazilian Digital Culture.

The process begins with the launch of the social network ‘culturadigital.br’, and the invitation of  experts and networks of cultural activists to register and profile their digital identities and references (their blog, twitter, delicious, youtube, etc…) into the Forum. The environment was built to aggregate people and their socialstreams linked by the tag #culturadigitalbr, thus organizing and documenting their participation in the debate. Live presentational and virtual online events during the second half of 2009 will propel the discussion into the proposed five guiding themes: memory, communication, art, infrastructure and economy.

We have made several interviews with specialists, agency ministers, people from academia and artists, which turned into a book: culturadigital.br. The goal was to collect and provide initial inputs to warm up the debate, which will be consolidated at an international seminar to be held in November. Notably, the process of ‘Brazilian Digital Culture Forum’ will happen in parallel with major debates on regulatory frameworks and public policies that directly affect the landscape of digital culture.

The new draft copyright law which will be presented by the Ministry of Culture for public consultation and the cyber-crime law (Law azeredo) — to be voted on in the House — deals with structural issues for the governance of the digital environment. The national conferences of Culture and Communication coincidentally will also be going on, which makes the second semester of 2009 a special time for proposing, contemplating and debating visions of the future we want for the country.

The coordination of the ‘Brazilian Digital Culture Forum’ now is making available the ‘culturadigital.br’ network environment for all who wish to organize and document free conferences and/or other specific events related to these processes. We believe that the time is right to be motivated toward new ways to develop consensus and build proposals. MINC seeks to introduce into the prospect of digital culture the innovative elements that facilitate and promote greater engagement and more effective participation of interested citizens.

The most creative people are never all together in a single company or government or organization, or country. To open the processes of constructing public policies in the network, and facilitating the collaboration of stakeholders, is almost obvious as an initiative appropriate and necessary at the dawn of this century. Promoting innovation in processes and creating tools for distributed governance can refine democracy and transform society.

This article is foreword to the book ‘CulturaDigital.BR’,
an edition that is part of the process of the
Brazilian Digital Culture Forum
#culturadigitalbr

I’ve been away from this blog, and from about everything else, because of the huge effort to put up the ‘Brazilian Digital Culture Forum’ — culturadigital.br. I will come back later to better explain what’s going on, but for now I will reblog a nice description of what we are doing by Gilberto Jr., a Brazilian blogger who was able to follow the many steps of the Forum’s process until now. [See also the Global Voices report]

The proposition of the Brazilian Digital Culture Forum: open and participatory

The Brazilian Digital Culture Forum has a social network for collaborative production of public policy for contemporary Brazil. This is a web platform that supports a broad spectrum of cultural programs based on the ideas and initiative generated by citizens, which includes face-to-face events and is expected to wrap up in November.

The Brazilian Digital Culture Forum was launched by the Minister of Culture in partnership with the National Network of Education and Research. The object of the Forum is, through these events, to encourage debate about digital culture with activists, business representatives, government institutions and non-governmental organizations. It’s in this context that the social network can work to both accelerate discussion and unify ideas.

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Brazil and Italy will meet in a football game next Tuesday. The friendly match is far from having the importance of other disputes in the past, world cup decisions included, but the mood built around the game has set the national blogospheres on fire — see Global Voices.

After weeks of cross-Atlantic brouhaha, some bloggers are starting to wonder how and why the case has gone so far. Is the Brazilian Government’s decision to grant political refugee status to Italian felon Cesare Battisti really worth of such attention?

What elements could be at play to bring forth those remarkable outcomes, such as the minute of silence from the Ministers of European Parliament in a session last week in honor of Battisti’s alleged victims from 30 years ago, or the farewell of an Italian-born media icon in Brazil over the heated national debate on the case, and also Italy’s recall of their Ambassador in Brasilia?  The Italian government went as far as threatening to call off the friendly game scheduled to be held on February 10 in London, leading Brazilians to sense a blow out of proportion. Berlusconi is the one to blame.

Gratuitous altercation the one created by the “Battisti case” and the attitude of the buffoon government headed by Silvio Berlusconi. At least I took the time to study the subject before I ventured to write a few lines about it. Most analysts are open about the passion on their analysis and transformed the event into a partisan dispute, or worse, a football match.
Brasil vs Itália – Disolving in the Air

Italy, today, is going through the government of histrionic Berlusconi. He owns the huge Italian TV network,  owns newspapers, owns football teams. That is, he is the owner of Italy. And he is clearly fascist, xenophobic, racist.
Berlusconi Hystery and the Brazilian Sovereignity – Blog de Luís Antônio Castagna Maia

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Gilberto Gil has left the Brazilian Ministry of Culture. He says that music has called him back.

A quick look at reactions surfacing this week in the headlines of the Brazilian mainstream media tell of a singer-minister who did a passable job in using his social capital to boost the ministry’s actions into international channels. Gil’s assignment was almost passed off as just one more of Lula’s ‘populist tricks’ to hold qualified support for himself.

The seemingly condescending tone of Brazilian media comments and analyses about Gil’s performance as a minister are definitely not a surprise. During his term, the mainstream outlets basically ignored or ridiculed some major international coverage such as 2004 Wired magazine article, telling about Gil’s ahead-of-the-curve awareness of the importance of openness among the principles of the digital revolution.

He was ridiculed, indeed, when during an inauguration class at the University of Sao Paulo (USP) in August 2004 he declared:

“I, Gilberto Gil, Brazilian citizen, world citizen and Minister of Culture of Brazil, develop my work in music, in the ministry and in all the dimensions of my existence under the inspiration of hacker ethics; I am concerned about the issues that my world and my time pose to me, such as the issue of the digital divide, of free software and also the issue of regulation and development of audiovisual content production and distribution, by any media, for any purpose”.

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The sweeping Obama phenomenon has caught Brazil, and it comes as no surprise in the country with the world’s largest population of African descendants. Blogs are commenting on all things Obama, from his stand on ethanol to the ‘rumors‘ of his appraisal of Brazil’s free software policies. An especially notable thread is the one reporting on the resurgence of a weirdly interesting 1928 Brazilian sci-fi novel — ‘The Black President’ — that predicted a US election matching a black, a feminist, and a conservative candidate in the then remote year of 2228.

The author, Monteiro Lobato, is very famous in Brazil for his tales for children and teens. The set of books ‘Yellow Woodpecker Ranch‘ was turned into popular TV series that reigned supreme on Brazilian tubes through 5 different remakes — the first in 1952, and most recently in 2001. But, in this case, the book is an obscure and rare incursion of Lobato into adult science fiction. The resurgence of interest in it now is totally connected with what stands out as an incredible intuitive guesswork on what has come to be our present situation, but 80 years ago (!) almost unimaginable.

Most of the Brazilian readers of Monteiro Lobato (1882-1948) know him for the episodes of the ‘Yellow Woodpecker Ranch’ series, and few are acquainted with his ‘adult piece’… Originally published in 1926 as a ‘feuilleton‘ in the newspaper ‘A Manhã’, (but then titled as “The Clash of Races”, which today stands as the subtitle), “The Black President” is a doubly curious book: first for being a science fiction piece, an uncommon genre among Brazilian writers, and second because the plot anticipates the current scientific and intellectual debate during the first decades of the 20th century.
Monteiro Lobato’s Black President – ALPHARRÁBIO – por Viegas Fernandes da Costa

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Brazilian Indians were in the spotlight of world media this week and the local blogosphere has much to say about it. From the images of an uncontacted tribe in the Amazon, which were ‘leaked’ first in a blog that is now claiming attribution rights for its scoop, to the enraged protest caught on camera against the building of dams along the Xingu River in the Amazon basin where an official of Brazil’s national electric company got slashed by traditional machetes and clubs. Bloggers had different takes from the dominant mainstream media narratives.

Here is the Brazilian GLOBO video of the engineer’s encounter with the Indians.

Since the gathering in Altamira, the Brazilian media have focused mostly on the issue of violence. GLOBO included a special report in its extremely popular weekend TV magazine FANTASTICO and here’s the text (computer) translated into rough English. As you can see, the focus is on the engineer and the Indians associated with the confrontation and there is very little about the many consequences of building the dam. While the Brazilian mainstream media are preoccupied with the “hot” story, various blogs and NGOs have been struggling to deliver the deeper messages. Encontro Xingu ‘08 provides great coverage of the whole event with in-depth analysis by David Cunningham and lots of wonderful photos by Sue Cunningham. The Xingu Encounter was also reported by International Rivers along with English translations of the declarations of the Xingu Peoples. And here’s the (computer) translated final statement of the broad coalition of Brazilian grassroots organizations that are opposing building of th,e Belo Monte dam.
Violence – Vision Share

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Brazil is an unusual place. The country is full of unconventional people, capable of performing extraordinary feats, which nowadays can get reported in peculiar ways by an ever-growing crowd of unique bloggers. This time the story is rather sad, but the blogosphere is exploding with humorous takes on the tragedy of a Brazilian Roman Catholic priest who is missing after drifting out to sea while trying to set a record for a flight using helium-filled party balloons.

The goal of Father Adelir Antonio de Carli was to break the 19-hour record for remaining aloft using only party balloons, in order to raise funds for the rest stop for truckers in Paranagua, Brazil’s second-largest port for agricultural products. Brazilian truckers often spend days waiting to unload in the port, especially during the busy soy export season now under way.

Planes, helicopters and boats from Brazilian rescue forces have been out along the coast of Santa Catarina state looking for the balloon-flying priest all week. Surely, a religious person gone missing during a charity stunt deserves the highest respect, but the lack of elementary safety features in Father de Carli’s plan to accomplish his endeavor has unleashed an unstoppable stream of humorous lines, although not without some guilty thoughts about them.

Would it be comic if it were not tragic? I say that it can be tragic and comic. Here we have the ‘tragi-comedies’ that won’t let me lie. Please, agree with me before I go on! — IT IS COMIC! (so here is a bold and gratuitous appeal to share the heavy weight in my consciousness for having seen so much comedy in all this).
Peter Pan Priest – Fossas do Ofício

So, the amount of jokes over this priest who decided to fly tied to balloons filled with helium is not contained in the sacred scriptures…. Moreover, the flying priest’s last feat was the topic-of-the-day in a debate I had with a friend who studies journalism and lives in Rio. The father’s imprudence, from being so bizarre, ends up as risible. How does someone wanting to fly with party balloons in completely unfavorable weather, without knowing at least how to operate a gps — really folks?
How to use a gps?Como usar um gps? – de tudo um pouco

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Twisted information about the discovery of what may possibly be the third largest oil field in the world turned into a hot issue on the Brazilian blogosphere this week. The trigger was a comment from the head of Brazil’s National Petroleum Agency [ANP], Haroldo Lima, mentioning that the recently found Carioca [or Sugar Loaf] field in Brazil’s offshore Santos Basin could potentially contain reserves of up to 33 billion barrels of oil and gas. The comment was amplified by the media as an official announcement, which caused a wave of excitement through investor markets from Brazil to New York for Petrobrás [Brazil's state-run oil company] and its partners Repsol-YPF and the BG Group.

Petrobras officials quickly reacted saying that 3 months of further drilling would be needed before any meaningful estimate of volumes could be made. Yet, the day-after local media headlines took on the ‘announcement’ as a deliberate act to boost Brazilian markets and Petrobras’ share price, and speculated about the legal consequences the company could face for making such groundless comments. Meanwhile bloggers found a new gusher of opinions in the theme.

Haroldo Lima, director of National Petroleum Agency, has firmly denied having made any public announcement related to the Santos Basin’s find. He would have just made a comment based in articles published in a specialized American magazine. But the word of the director of a regulatory agency has weight not only over the sector regulated by it, but also over financial markets. Therefore it is not his role to make any inference. The weight of the word of an oil sector manager is much bigger than the opinion or an article of a journalist.
The weight of the word and the responsability – Leandro Vieira

The media, which in its overwhelming majority is opposed to the president Luis Inacio da Silva, the “Lula”, has tried to characterize Haroldo Lima as irresponsible, and the oppositionist CVM (Securities and Exchange Commission) says it will “investigate” him for having shared information with the public before an official announcement from Petrobras. That was an evident demonstration of spite, envy and hatred from the Brazilian right against the President Lula. That’s what we can translate from the attempt to disqualify the remarks of Haroldo Lima — a respectable public Brazilian figure. In its sordid ways, the media has tried to sensationalize the context of Lima’s comments, which were made in a closed event, as if he had made an announcement in a public plaza with a megaphone, aiming to reach the whole population. In fact, the information about the Carioca field was already known by oil specialists, and it had already been reported in the US by the “World Oil Magazine”.
Media roars against – Tribuna Petista

Lula: … tell Petrobras to make up another oil field,
so that I can get away from the latest scandals, heck!!!

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April fool’s day this year has brought a bitter taste to the Brazilian open source community. The announcement of the approval of Microsoft’s Open XML Format (OOXML) as an ISO/IEC International Standard was, at first, seen as some kind of joke. After all, OOXML had lost a vote on its adoption at ISO in September 2007. The voting members had requested hundreds of adjustments to the standard however it is widely known that today the majority have remained unimplemented. But let’s check out why such a drab debate over technical standards has caught the attention of so many bloggers in Brazil.

The open source movement in Brazil, with all its successes and failures, has somehow turned into a cultural trend. In this context, Microsoft’s Office suite (Word, Excel, Powerpoint, etc.) and its proprietary files’ format became the very symbol of the monopolistic obstacle against the freedom pursued by free software activists, and also the main target of government agencies’ official substitution policies. Where the Linux operating system was still not ready to reign, at least OpenOffice — with it’s ISO approved ODF file format standard — could help breaking Microsoft’s cultural hegemony. And it worked!

In fact, it seems that the strategy has worked too well. Microsoft started to see its multi-billion dollar Office business model menaced by the rising trend of governments giving preference to open standards in their decisions on software acquisition. The tactical reaction of Microsoft in defense of their monopoly position was to blitz for the sanction of their incompatible alternative format Open XML as a second ISO standard. Bloggers decried that the strategy used to carry OOXML through the ISO fast-track process has damaged the standard’s credibility and created serious consequences for the whole concept of open standards. Indeed, Microsoft tactics can bring forth an intense rage among those Brazilians who have worked so long and so hard for open standards, and it is not surprising to see MS portrayed not merely as a monopolist but as a monster.

Although having (barely) followed the procedural norms, ISO has lost (or at least damaged) its credibility by being involved in a process that was corrupted behind the scenes by a series of suspicions, irregularities, lobbies and so forth. If the approval had been reached by agreement, be it through Fast-Track or not, ISO would have maintained its credibility. But by passively conceding to Redmond’s pressure, and not checking the decision-making procedures of the various countries, ISO has damaged its credibility in a permanent way — and somehow thwarted all the other ISO standards.
OOXML = ISO 29500 – Microsoft Wins, we all lose – Linux… e mais coisas

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The abrupt dimissal of the journalist Paulo Henrique Amorim — or PHA as he is referred too — from his anchor-like position at the IG portal has fueled this week’s blogs debate. The humorous and opinionated style used by PHA in his ‘Conversa Afiada‘ blog to attack what he called the ‘PIG’ — an acronym for Portuguese words meaning, ‘the party of the coup-plotting mass media’ — was an outlet for ‘left bloggers’, and many posts were quick to denounce IG’s surprising move as censorship.

Luiz Carlos Azenha’s website says that Paulo Henrique Amorim was dismissed from IG on Tuesday, by fax. What first calls our attention is the suddenness of the portal’s decision. If it was not for Azenha, we would be accessing PHA’s site without reaching it, and not knowing why… It’s almost impossible not to speculate about possible political meddling. We wait for an explanation from IG. While waiting for it, we can speculate and worry about a media witch-hunt that may be starting, promoted by the big media companies and by the politicians who control it, the ones already known to all.
PHA’s Dismissal – Cidadania.com

It is important to mention that IG differentiates itself from the rest of the big Internet outlets by its sympathetic approach to the government of Luiz Inácio Lula da Silva. This perspective adds intrigue to the plot, as it is not so easy to identify the forces driving behind PHA’s release.

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