Gilberto Gil: the tropicalist voice for an open digital culture
Gilberto Gil has left the Brazilian Ministry of Culture. He says that music has called him back.
A quick look at reactions surfacing this week in the headlines of the Brazilian mainstream media tell of a singer-minister who did a passable job in using his social capital to boost the ministry’s actions into international channels. Gil’s assignment was almost passed off as just one more of Lula’s ‘populist tricks’ to hold qualified support for himself.
The seemingly condescending tone of Brazilian media comments and analyses about Gil’s performance as a minister are definitely not a surprise. During his term, the mainstream outlets basically ignored or ridiculed some major international coverage such as 2004 Wired magazine article, telling about Gil’s ahead-of-the-curve awareness of the importance of openness among the principles of the digital revolution.
He was ridiculed, indeed, when during an inauguration class at the University of Sao Paulo (USP) in August 2004 he declared:
“I, Gilberto Gil, Brazilian citizen, world citizen and Minister of Culture of Brazil, develop my work in music, in the ministry and in all the dimensions of my existence under the inspiration of hacker ethics; I am concerned about the issues that my world and my time pose to me, such as the issue of the digital divide, of free software and also the issue of regulation and development of audiovisual content production and distribution, by any media, for any purpose”.
April fool’s day this year has brought a bitter taste to the Brazilian open source community. The announcement of the 
A new arena is gathering steam and significance in the Brazilian Internet space: the football blogs. It should be no surprise given how natives are impassioned for the game, and how the latest results of the many championships become part of the casual chit-chat everywhere. Day by day, fervent fans are finding out that blogs and other media possibilities — podcasts, webcasts, foruns and chats — are invaluable tools to display, promote and exchange opinions about the many games, and also to express their passion for their favorite football club teams.
There is no clear consensus about the specific reasons that occasionally boost Brazil to the cutting edge of the open source revolution. For us here in the field, facing so many difficulties, ranging from simple misunderstandings to big resource constraints, the international acclaim sounds a bit exaggerated, and at times misinformed. Ever since the remarkable 2004 Wired magazine article — 







